Confusing Movies That Are Easy To Understand. If there’s a common criticism levelled at films by moviegoers, it’s that they can be too hard to understand. Whilst some audience members enjoy the exciting sensation that comes with piecing together what a movie actually means, plenty of people just want to be entertained, not bewildered. However, while some flicks are indeed a chore to follow – sometimes intentionally so (although not always!) – often times, they’re actually not that hard to figure out, with just a little effort. And why shouldn’t viewers meet filmmakers half way, when it comes investing themselves in the narrative? After all, while we all enjoy the satisfaction of switching off our brains and relaxing in front of a film with a straightforward plot, there’s also something to be said for movies that force us to use our grey matter.

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Sure, films by directors like Stanley Kubrick, Christopher Nolan, and Terry Gilliam may leave us scratching our heads at first, but the “Eureka!” moment when it all clicks into place – either in the cinema or days later – is always worth it. With that in mind, this list takes a look at 1. Confusing” Movies That Are Actually So Easy To Understand – if you’re prepared to use the ol’ noodle, that is! Interstellar. Most of the confusion surrounding Interstellar stems from scenes late in the film, when astronaut Cooper enters a black hole and things start to get a little… strange. The next thing you know, Coop is floating in a crazy space library that connects to his daughter Murphy’s bedroom in the past, and there’s something to do with a wrist watch. So what does all this actually mean? Well, what we’re dealing with here is a time paradox.

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The “space library” is in reality an interface designed by future humanity to provide their ancestors with the means for inter- temporal communication. Basically, it lets Coop send messages to Murphy in the past, by interacting with the area surrounding her bookcase (hence the library- like interface). As for the watch, it represents another instance of Coop manipulating the gravitational forces in Murphy’s room, in order to share with her – via a simple numerical code – the quantum data needed to solve the equation for mass interstellar travel. By doing so, he ensures the survival of humankind, thus allowing for later generations to set in motion the chain of events that allowed Coop to contact Murphy in the first place – which is where the previously mentioned paradox arises. Donnie Darko. Quite possible the cult movie for anyone growing up in the early 2. Donnie Darko is – at first blush, at least – a bit of a head scratcher.

As with Interstellar, part of the confusion stems from the time travel mechanics that underpin the plot, but just as much credit can go to the film’s cryptic dialogue and occasionally surreal imagery (including a giant, demonic- looking bunny!). Still, even if the exact specifics of the plot aren’t exactly easy to identify – unless you’re watching the director’s cut, which effectively beats viewers over the head with exposition – the general shape of things is pretty easy to make out. In yet another similarity with the previous entry, futuristic beings are responsible for much of the goings on in Donnie Darko, with the apocalyptic visions and other related insanity that Donnie experiences all the result of their meddling. The rationale behind these actions?

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To fix a screw up they made in the time/space continuum related to an errant jet engine (that old chestnut), they gave Donnie the power to avert a potentially catastrophic time loop – at the cost of his own life, of course. Planet of the Apes. The third entry in a row where time- altering shenanigans rear their ugly head, 2. Planet of the Apes remake skirts perilously close to indecipherable. The crux of the film’s twist ending – when Captain Leo Davidson travels back through time and space to a contemporary Earth ruled by Apes – isn’t that hard to suss out. It does require some conjecture, however. Although we don’t actually see ape General Thade acquire a spacecraft, it’s up to us to fill in the blanks that he somehow got his hands on one, and used it to follow Davidson to Earth.

Once that hurdle has been cleared, the rest falls into place quite neatly. After all, the electromagnetic storm that makes time travel possible is shown to expel its occupants in the reverse order to that in which they entered. Since Davidson passed through the cloud ahead of Thade, it stands to reason that Thade should have been spat out ahead of his human enemy. This granted him the head start he needed to lead the ape uprising responsible for the world that greeted Davidson.

Is it convoluted? Yes. But can the general gist be worked out with resorting to complex diagrams and an astrophysics degree? You betcha. 1. 2. The Matrix: Revolutions. Whether or not The Matrix: Revolutionsis actually a good movie or not is a topic for a whole ‘nother article – but the fact remains that it’s not actually that confusing at all.

The final installment in the Wachowskis’ kung- fu/sci- fi/spiritualist mash- up trilogy may take the franchise’s fixation with subtext over narrative to new extremes, but its big conclusion all adds up. The finale’s premise is laid out in a conversation between Neo and the Oracle, and it all comes down to basic arithmetic. As “The One”, Neo represents an anomaly which unbalances the equation underpinning the Matrix itself.

In an attempt to redress this imbalance, the artificial reality’s system transforms corrupted program Smith into Neo’s equal and opposite. Of course, Smith later goes loco and threatens destroy both the Matrix and the real world, enabling Neo to negotiate a permanent ceasefire between the humans and machines in exchange for saving both from this unstoppable virus. During their final showdown, Neo allows himself to be killed by Smith – unbalancing the equation once more, and clearing the way for the now- superfluous Smith to be deleted from the equation. I’m Not There. Todd Haynes’ I’m Not There tells the story of the “many lives” of Dylan through six largely unrelated storylines focussing on characters who embody different facets of his personality. Either artistically brilliant or painfully pretentious (depending on your mood), I’m Not There is actually fairly easy to decode when treated more like a poem than as a straightforward narrative. This is because much of what happens is about evoking a mood or idea, rather than in service to a conventional story.